Dear Gentlemen,

In this blog I have tried to assemble a list of prominent Soviet tenors – tenors behind the Iron Curtain – singers the careers of which went largely obscure from the Western public because of the political realities of the era they were part of – realities which dictated the detachment of the Soviet opera from its Western counterpart.
It just so happened that these times were the Golden Era of the Russian Opera, and the voices that were hidden behind the Iron Curtain were of a remarkable quality.
In addition to that, the revival of these voices in the West is also of much interest because of the unique character and the idiosyncratic nature of the Soviet school of operatic singing, which was different from the Western in many aspects.
By “voices behind the Iron Curtain” I mean those artists whose entire career or a significant part of it developed during the most ideologically radical years of the Soviet rule and the Soviet Union’s disconnection from the West, and not those who had already established a name for themselves in an earlier period, or those who have only started their way in Soviet Union’s very last days or are singing well into the present – both are more familiar to the Western public.
In cases of some of the singers the information and the recordings presented here is all that is left of them, and in some cases appears for the first time in the internet, or in English and for the Western public.

You can reach me at:

Boris Geft (1902)





Acclaimed artist of the Russian Soviet Socialist Republic (1939)
Graduated from Odessa and Saint-Petersburg conservatories. Studied with Konstantin Isachenko.
Started his career in 1928.
In 1928-49 was a soloist of the Saint-Petersburg Maliy Opera Theater.
Among his roles: Marcena and Santangel (“Columb”), Hoffman (Hoffman’s Tales), Cavaradossi (“Tosca”), Jaryshkin (“The Nose”), The commissar (“The Front and the Home Front”), Zinoviy Borisovich (“Lady Macbeth”), Walter (“Meistersingers”), Jose (“Carmen”), Alfred (“Traviata”), The Duke (“Rigoletto”), Pinkerton (“Chio-Chio-San”), Enek (“The bartered bride”), Pashkov (“The peasant from Komarin), The Old man (“The flourishing virgin soil”), Gambi (“Cola Breugnon”), Karavaev (“Mutiny”), Pavel (“Mother”).
Also sang Italian songs.
His records were mainly issued in Saint-Petersburg.
Was also the art director of the Gypsy Folk Ensemble.

No comments:

Post a Comment

Subscribe to: Post Comments (Atom)