Dear Gentlemen,

In this blog I have tried to assemble a list of prominent Soviet tenors – tenors behind the Iron Curtain – singers the careers of which went largely obscure from the Western public because of the political realities of the era they were part of – realities which dictated the detachment of the Soviet opera from its Western counterpart.
It just so happened that these times were the Golden Era of the Russian Opera, and the voices that were hidden behind the Iron Curtain were of a remarkable quality.
In addition to that, the revival of these voices in the West is also of much interest because of the unique character and the idiosyncratic nature of the Soviet school of operatic singing, which was different from the Western in many aspects.
By “voices behind the Iron Curtain” I mean those artists whose entire career or a significant part of it developed during the most ideologically radical years of the Soviet rule and the Soviet Union’s disconnection from the West, and not those who had already established a name for themselves in an earlier period, or those who have only started their way in Soviet Union’s very last days or are singing well into the present – both are more familiar to the Western public.
In cases of some of the singers the information and the recordings presented here is all that is left of them, and in some cases appears for the first time in the internet, or in English and for the Western public.

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Nikolay Mayboroda (1941)




Acclaimed artist of the Russian Soviet Socialist Republic (1977).
Graduated from Rahmaninov Rostov-on-the-Don State conservatory (class of A.P.Belyaeva) in 1971.
From the same year turned a member of the opera troupe of Saint-Petersburg Kirov Opera Theater.
In 1976-77 perfected his skills in La-Scalla, where he prepared the roles of Rhadames, Othello, Ismail, Cavaradossi.
From 1979 till 1990– soloist of the opera troupe of the Bolshoi Theater.
Among his roles: Herman, Bomelius, Khovansky, Nozdrev, Jose, Pinkerton.
Traveled a lot through Europe.